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After setting the scene, Peters would direct the women into position, holding up reference images in the camera as a guide.
Peters then took screen shots of her computer screen, which she later rephotographed with a large format film camera.
"I only wanted to collaborate with independent women, rather than those that go through one of the many studio sites," she says.
Peters won the women’s trust through ongoing email conversations, convincing them that she was interested in art, not exploitation.
It was slow going, but after the first few women agreed, one contact led to another, making way for more collaboration.
Peters paid a flat fee of for 45 minutes of their time and a signed model release.
From stripping to balloon-popping, there is a niche for every fetish.
Though there is an infinite number of porn sites that provide such entertainment, Peters chose to focus on women who worked for themselves from the comfort of their homes.
Peters feels conflicted about the reasons someone might choose such a career, but wants the photos to be a catalyst for discussions on feminism, femininity and empowerment."The female body has long been idealized, objectified and fetishized and the nude is an incredibly loaded subject matter," she says.
The woman would guide her through their homes or the room in which they worked, and she would choose where to set up.
The backgrounds and props were things they used regularly.
For many of them, camming is their primary source of income.
They're all fiercely protective of their personal lives, playing a role when the cam turns on.
She met with the women on Skype, and all of their interactions occurred electronically."I would dial in from my office in London with my camera and headset mic on so they could see I was who I said I was—which was for many the main concern," she says.